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KWK by Kay Kwok AW23

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KWK by Kay Kwok returns to London Fashion Week for AW23 as the brand celebrates the start of their 10thAnniversary Year under the Creative Directorship of designer Kay Kwok. Founded on a philosophy of Experimental Expression, looking forward through time and imagining a global society which we’re yet to arrive at has become central to the brand’s singularly unique vision. Genderless, experimental, and confronting in their artistry and aesthetic, KWK by Kay Kwok collections challenge convection, liberated from tradition and stereotypes with a creative proposition that is boldly unapologetically avant-garde and futuristic.

Digitalisation-driven, KWK by Kay Kwok present seasonal brand avatars, embodying values, ethics, and stories we see in the real world around us, but transported to a distant future. Free from the expectations of the material world, these ambassadors for liberated and diverse thought present an out-of-self opportunity for creativity in the third person. For AW23, KWK by Kay Kwok introduce LALA, and translate the brand’s DNA and design signature as seen through her lens.

LALA’s story is set in the year 2100. The Earth has become so toxic is barely resembles home. Everyone has left for other distant planets to rebuild, but LALA has been left behind, her friends and family gone and never to return. Imperfect and unconventional, when the call to evacuate came, LALA was overlooked, imperfect and unconventional, part-person part-robot – not a candidate for the new world. The surface has become too inhospitable, the air too hot, the land too infertile. In the exodus from earth, strange creatures have come to rule. LALA lives underground, hundreds of metres in the wet and the dark. Her only companion a dragon – part-robot like her – offers protection and companionship in this dark and hopeless existence. Passing her days in this strange and unfriendly place – she dreams to meet her parents again. 

Darya, a visionary sound producer, violinist, and singer provides the soundscape for this season’s collection and LALA’s story. Creating music from the depths of her imagination, her unique sound and artists brings to life an alternate universe. Inspired by imaginary worlds, her sound art is a reflection of Darya’s thoughts and emotions, channelled through the notes of ChatGPT, creating a unique sound this is at once futuristic, but rooted in the technology of tomorrow as it exists in the present day. Like Kwok, through her art, she creates a world of her own, a world where she is in control and free to express herself as she’s chooses – both an escape, and a way to connect with others.

In KWK by Kay Kwok’s AW23 show at fe, subcultures collide in a rich visual interplay between our world today and that of tomorrow, imagining what lies ahead and the possibility of what could be in a strong message of individuality, diversity, liberation from expectation, and new-age human confidence.

SHOW CREDITS

Design & Creative Direction by Kay Kwok
Hair by Tim Furssedonn using Matrix Hair Care
Make-up by Michelle Webb for AOFMPro using Dermatologica
Music by Daria Fisher
Show Production by Dani Wall & Luka Dijan at North Wall Production
Technical Production by Hydra Design
Show Photographer by Chris Yates
Show Video by Project Video

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Chanel – Fall-Winter 2024/25 Ready-To-Wear Collection

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Deauville is where everything started for the House. 1912, the creation of her hat shop and then very quickly the first clothes with their visionary, radical style. It’s where it all began for Gabrielle Chanel. This story is very close to my heart,” confides Virginie Viard. On the racecourse, on the seaside, at the gaming table, in restaurants and palaces, on the “Planches” boardwalk: everything is about elegance and self-staging.

For this collection, we recreated the Deauville boardwalk, she adds. Giant screens on which long, romantic silhouettes stroll in the light from dawn to dusk.” Shrouded in mystery, the models walk along the beach. The 1920s and 70s cross paths and intertwine.

Androgynous and cinematic, the CHANEL Fall-Winter 2024/25 Ready-to-Wear collection imagined by Virginie Viard draws its femininity from Gabrielle Chanel’s own wardrobe and its masculinity from the subtle elegance of winter sojourns by the sea. Broad-shouldered peacoats and long dressing-gown-style belted coats are worn over tweed suits – box-pleated skirts, culottes or cropped trousers –, drop-front trousers or trousers with tabs at the back.


Chunky sailor sweaters and knits featuring the landscapes of Deauville alternate with silk blouses with middy collars, herringbone prints, low-cut tops with flounces, jumpsuits and negligees whose delicacy evokes gentle waves breaking and a soft wind blowing.

The palette takes its vibrant or pastel shades of pink, mauve, orange and pale blue from the ever-changing colours of the Deauville sky, along with brown and gold lamé. 35mm film and cinema tickets: prints refer to the town’s connection with the 7th art, its American Film Festival and Claude Lelouch’s A Man and a Woman, to which Inez and Vinoodh’s film opening the show pays tribute.

The silhouette of David Bowie, the magnetism of film stars walking on the sand, like Anouk Aimée, a great friend of Gabrielle Chanel… this collection pays homage to these familiar figures.”

The iconic bags are omnipresent, as are the pastel-hued wide-brimmed hats, colourful silk scarves, heeled knee-high boots and thigh-high boots in sheepskin, a direct nod to Anouk Aimée’s coat in A Man and a Woman.

It’s a very warm collection, with layers of materials, colours and volumes. It pays tribute to Deauville, the legendary place where Gabrielle Chanel’s destiny changed forever.”

Copyright CHANEL

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Paloma Wool presents their Autumn-Winter 2024 Collection

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The collection follows spontaneous effortlessness with further emphasis on a defined silhouette. From the iconic graphic knitwear to the brand’s elevated streetwear with technical materials; paloma wool’s collection exudes a sense of sophistication and versatility. Velvet pieces imbue femininity and elevate the overall aesthetic with a touch of luxury, while multiposition pieces offer various styling options. The inclusion of silk garments facilitates effortless layering, and argyle-printed knitwear sets a distinctive tone throughout the collection.

The show was led by a performance directed by Carlota Guerrero, in which a group of women carried out an experimental pétanque game, and styled by Emilie Kareh.

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ALEXIS MABILLE FW 2024 – PARIS FASHION WEEK

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Society
1. Long strapless sheath dress in brick-red crepe with a draped décolleté.

2. Billowy shirtdress in blood-red crepe.

3. Long wrap dress in pinky-red crepe with bow-belt.

4. Long wrap dress in red crepe with long slit sleeves, waist with brandenburgs appliqués.

5. Long tailored dress in red silk piqué, waist and shoulders with brandenburgs appliqués.

6. Evening shirtdress in raspberry silk piqué with flounced skirt.

7. Shirt-gown in raspberry silk piqué, with fixed inverted pleats at the waist.

8. Long corolla shirtdress in black radzimir, shoulders inlaid with matching lace, sleeve belt.

9. Trapeze dress in black silk piqué and satin, fastened by ties in the back.

10. Long, twirling sheath dress with asymmetrical scarf neckline crafted from black crepe.

11. Black crepe batwing jumpsuit with brandeburgs belt.

12. Long jacket-dress in navy blue crepe with satin facings and buttons.

13. Long shirtdress crafted from off-white silk faille and inlaid with Lyon lace, satin belt.

14. Shirtdress with batwing sleeves and corolla skirt crafted from champagne silk piqué and satin, matching knotted belt.

15. Long gown in champagne silk piqué, with a matching satin bow-neckline and panel.

16. Grand slip dress in nude radzimir with brandenburgs appliqués.

17. Long asymmetrical dress crafted from flesh-colored jersey satin, with front-and-back satin panels and a split shirt sleeve.

18. Long shirtdress in blush-colored crepe with split cape-sleeves, matching satin belt.

19. Long square shirtdress in peach-colored crepe with stitched satin collar.

20. Long corolla boat neck dress crafted from pale pink silk piqué, with satin kimono belt.

21. Long bustier dress in pale pink silk piqué, with a crepe scarf hold by brandenburgs.

CREDITS
Photo
Marcel Nestler

Hair & Make-up
Beautick

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