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Bridging Fashion and Humanity with their SS24 Film ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ at South African Fashion Week

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VIVIERS, the South African fashion house, unveils their concept-driven fashion experience at South African Fashion Week (SAFW).

With the debut of their SS24 fashion film ‘Re-Trace, Re-Memory, Re-Set, Re-Culture,’ VIVIERS highlights their unwavering commitment to the South African fashion landscape and their larger vision of fostering a homegrown African fashion community and clothing industry.

Having emerged on the SAFW scene through the Fashion Bridges Program in April 2023, VIVIERS returns to SAFW, reinforcing their dedication to the local fashion industry and their aspiration to create a thriving African fashion community. This is not merely a showcase of garments; it’s a statement of purpose.

“Through a collective and creative hybrid space called ‘Hub-of-The-Hand,’ VIVIERS collaborate with numerous South African Artisans, using South African raw material like Cape Wools, South African Mohair, Ostrich products, Gold and Diamonds and South African Leather, with the idea to further promote the South African clothing, textile and luxury Industry, as well as preserve South Africa’s heritage of craftsmanship. Through visualisation and co-emergence, we aim to contribute and to establish South Africa as an Eco-Hub or destination for Supreme Craftsmanship in Luxury manufacturing; a country that leads with its slow and Conscious approach. Showcasing our collection not only on a global platform such as Milan but also within SAFW in Johannesburg is a pivotal element of our commitment to this initiative ” said Lezanne Viviers, the creative director and founder of VIVIERS.
“This also give me a unique opportunity to edit and change the styling of my collections to respond to future of these two different platforms, as every iteration opens up the collection to a different audience.”

Indeed, VIVIERS recently presented their artisanal capsule collection SS24 ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ as part of the official Milan Fashion Week, marking their second live event in a year, following their digital debut in September 2022.

The SS24 fashion film, ‘Re-Trace, Re-Memory, Re-Set, Re-Culture,’ serves as a unique canvas, offering a glimpse into the soul of VIVIERS’ SS24 collection. It’s not just a film; it’s a conceptual statement.

‘Re-Trace, Re-Memory, Re-Set, Re-Culture ’- VIVIERS ’SS24 Fashion Film: A connection to our origin

Conceptualized by Lezanne Viviers and brought to life by her long-time friend and photographer, Eva Losada, ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ is more than a fashion film; it’s an investigation into our collective history and shared Origin Stories.
Exploring universal myths, legends, archaeological discoveries, astrology, visionary philosophy, and spiritual truths, the film is a patchwork of human experiences. From the Crystal Skulls to the Phoenix, from Plato’s ‘Allegory of the Cave’ to Baba Credo Mutwa’s thoughts on ancient Gold astronauts, VIVIERS contemplates the potential for transformation and cultural redefinition.

The stories in the film transcend borders, cultures, and religions, acting as bridges between our quest for truth and the interplay between the physical and metaphysical realms. The film embodies a vision of art and clothing as conduits for unity, connecting our shared history with our vision of a harmonious future.

Lezanne Viviers sums it up beautifully, saying, “All-is-One. The idea of co-existence, co-emergence, symbiosis, and our shared Earthly Re-Birth: Unity in Individuality, rather than separation.”

Indeed, VIVIERS chose to hold the release and premiere their fashion film at SAFW, as the audience has a very clear insight and understanding of the sacred African sites chosen as the location. It felt right to premiere it to a local audience and the local team that created it, before it gets broadcasted internationally, because of its cultural significance. The stage design of SAFW and technical screens also lend itself to screen the film, with a full captivating audience.

The film, directed by Eva Al Desnudo, offers a poetic, atmospheric, and surreal journey through fragmented narratives. It creates a visual and emotional experience, and Eva’s unique style is also evident in campaigns she has shot for VIVIERS.

The film was shot at two sacred sites – The Cradle of Humankind and Waterval Boven in South Africa. These sites were chosen for their cultural and spiritual significance in our shared origin stories.

The Origin Center in Maropeng, The Cradle of Humankind, is one of South Africa’s nine World Heritage sites, housing archaeological treasures like Mrs. Ples, Little Foot, and Homo Naledi. Waterval Boven is the epicenter of South African Stone Circles and home to remarkable sites like Adam’s Calendar, aligning with the stars and Sacred Geometrical patterns.

Alessandro Gigli, with his cinematic soundscape, draws inspiration from the resonance of rocks and ancient instruments. This soundscape transforms time into crystalline sounds and ancient memories into present-day experiences, creating an auditory journey into our past, present, and future.

‘Re-Trace, Re-Memory, Re-Set, Re-Culture ’- VIVIERS ’SS24 Fashion Collection: The Unity of Past and Future
The collection conveys the ‘idea of unity in individuality,’ through VIVIERS’s inclusion of a very diverse cast, but also by the continues collaboration with many South African artisans and the continues use and inclusion of South African raw materials in the making of 100% South African made garments. This theme of unity in creation and collaboration is the core message of the film and the collection.

VIVIERS’ SS24 Runway show at SAFW is a fusion of their artisanal collection showcased in Milan and their first ever ready-to-wear line. This collection is about more than fashion; it’s about accessibility and sustainability.

Collaborations with Crystal Birch, Europa Art, and Cape Cobra reflect a commitment to responsible South African fibers and materials like Ostrich leather, Merino Wool, and Mohair. These materials create clothing that transcends time and blends beautifully, promoting responsible luxury raw materials from South Africa worldwide.

Crystal Birch’s hats are created in the same collaborative spirit and approach to working with local craftsmen championing local production for global locations. Preserving the art of millinery; while simultaneously re-introducing us to the inherent power that only the hat can hold for completing a look, Birch’s power lies in her rare ability to elevate hat-making as effortlessly contemporary.

Cape Cobra Leather goods are a third-generation, South African-family run business, with a long legacy of manufacturing bags for luxury fashion houses around the world, using exceptional local artisans, gives Cape Cobra Leathercraft’s pieces their elegance and depth as heirloom investment pieces, investing in the heritage of the past, combined with meticulous moments spent in the present.

The overall runway aesthetic was slightly reimagined through the styling with more traditional styling, by including these heritage items that convey a message of a old-world heirloom house. The versatility in styling from Milan to South African, reiterates the message that VIVIERS items are long-term investments pieces, made with an approach of uncompromised quality.
The collection’s palette and textures draw inspiration from the James Webb telescope’s images of galaxies, planets, and stars, contrasting with earthly elements like rocks, fossils, and crystals. The result is a collection that feels otherworldly, capturing the essence of our shared history and the limitless potential for change.

A Unified Vision
‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ is more than a fashion collection; it’s a journey through space-time and an exploration of unity. VIVIERS’ SS24 collection seeks to transcend traditional boundaries and celebrate the duality within each of us, reflecting a vision of harmony and inclusion.

The film and collection are an ode to the power of clothing as art, a bridge connecting our past to the positive change we aspire to in the future.

VIVIERS’ long-term partnership with Krone MCC underscores their dedication to celebrating excellence in craftsmanship and sustainable business practices, solidifying their position as a leader in the South African fashion landscape.

 

VIVIERS CAMPAIGN CREDITS
Spring/Summer 2024

Photography: @eva.al.desnudo

Styling, Creative- and Art Direction: @lezanneviviers and @eva.al.desnudo
Styling Assistant: @chiara__galvani

Clothing: VIVIERS STUDIO
Jewellery: Signature VIVIERS jewellery, mixed with Lezanne Viviers xx James Barry
Slabbert sculpted pieces. @jamesbarryslabbert

Model Agencies: @myfriendned @boss
Models: @okmordecai, @Bethany.dewaal @macs_kmcd

Hair: @saadique
Make-Up: @alexandra_julliet_mua

Production: @Kirstyswiss
Production assistants: @anelka_poultney_ @thando.nyweba

Videography: @thulanisejo @kaykayribane
Lighting Assistant: @Odd_ic
Drone ops: @Dzagzin_productions

Location: Maropeng Sterkfontein Caves and Watervalboven Stone Circles
@maropengsa

Artisans:
@Wraptknitwear @stephanie.bentum.textiles @nutcase_acts @bunnycorp

Sponsors and Support:
@capewools @mohairsouthafrica
-Samil, African Expressions yarn: @samil_natural_fibres
-KRONE: @kronecapclassique
-maropeng,sterkfontein: @maropengsa

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VIVIERS FASHION FILM CREDITS
Spring/Summer 2024
Concept: @lezanneviviers
Direction: @eva.al.desnudo
Videographers: @thulanisejo @kaykayribane
Lighting Assistant: @odd_ic
Drone ops: @dzagzin_productions
Editor / postproduction: @thulanisejo @kaykayribane
Colourist: @cebomtshemla
Clothing: VIVIERS STUDIO
Jewellery: Signature VIVIERS jewellery, mixed with Lezanne Viviers xx James Barry Slabbert
sculpted pieces. @jamesbarryslabbert
Models: @okmordecai, @Bethany.dewaal @macs_kmcd
Model Agencies: @myfriendned @boss
Hair: @saadique
Make-Up: @alexandra_julliet_mua
Production: @kirstyswiss
Production Assistants: @chiara__galvani @anelka_poultney_ @thando.nyweba
Original Music for VIVIERS: @gigli_alessandro
Location: Maropeng Sterkfontein Caves and Watervalboven Stone Circles @maropengsa
Artisans:
@Wraptknitwear @stephanie.bentum.textiles @nutcase_acts @bunnycorp
Sponsors and Support:
@capewools
@mohairsouthafrica
@kronecapclassique

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Collezioni Donna

JUANA MARTIN Fall-Winter 2024

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“Pared de Cal” is a poetic way of thinking about the good and the evil. The thought of the good deeds against the constant earthly and carnal temptation.

We speak here about divinity and sins, white and black, at the opposite of each other, yet inseparable, hand in hand, walking in parallel. The unmistakable stamp of the designer.

It was Saint Teresa who created the popular Spanish saying; “between nuns and monks, lime and stone wall”. Is there anything more Andalusian than the whitewashed walls of our white villages?

As usual, Juana is inspired by an eternal Andalusia, with its infinite endless stories and protagonists. We speak of the line, the wall, that separates in our thoughts good and evil, sin from the celestial.

The symbol of temptation by excellence, the fruit of sin, will also be present in the collection in a way of abundance. Feathers, Chantilly lace that adapts to the body and gauze, like veils that seems to sink. The feminine silhouette and the insinuating transparency, insanely close to desire and beauty, are the main aspects of this collection.

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Collezioni Donna

Max Mara Venetia – Resort 2025

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Un insediamento sorto in una laguna nel nord Italia già in epoca romana è poi diventato una delle città più magiche al mondo, anche grazie ad astuti e ambiziosi mercanti medievali. Sembra che ogni scrittore mai esistito abbia provato a descriverne bellezza e fascino. “C’è qualcosa di così diverso in Venezia, da ogni altro luogo nel mondo, che si lasciano una volta per tutte le consuete abitudini e le visioni quotidiane per entrare in un giardino incantato.” scrisse Mary Shelley.

Tra i mercanti medievali, il più illustre fu Marco Polo. Nel 700esimo anniversario della sua morte, il mondo assisterà a una serie di importanti mostre ed eventi. Marco Polo era un uomo dalla mente aperta, curioso e tollerante; qualcuno ha addirittura suggerito fosse un precursore del femminismo. Il diario di viaggio che scrisse nel XIII secolo, ‘Il Milione’, descrive senza giudizio alcuno le donne e le ragazze tartare che cavalcavano alla maniera degli uomini e le meraviglie dell’Isola delle Femmine in India dove gli uomini potevano fare visita per soli tre mesi all’anno.

Max Mara segue le orme di Marco Polo con una collezione sontuosa e multiculturale che vuole anche raccontare qualcosa di magico. Polo visse per vent’anni alla corte di Kublai Khan, in Mongolia, dove ancora oggi si producono lana di cammello e cashmere, merce che si commerciava sulla Via della Seta, il tragitto che ogni bene di lusso seguiva. È naturalmente il cammello ad aprire la collezione – nero, bianco e marrone chiaro – che include però anche la seta, in tonalità sfumate, come quella che Marco Polo potrebbe aver portato dal Catai o da Constantinopoli. Dalle ‘robes de chambre’ ai parka, passando da trench e tabarri: Max Mara propone i capispalla più maestosi. Ci sono abiti per le occasioni speciali, ma ci sono anche ampi spolverini, eleganti casacche, tailleur dal taglio preciso e tute per un’eleganza quotidiana. Nappe e cordoncini maxi, pompose maniche svasate e gonne a pannier in velluto fanno da protagonisti. A completare la collezione, spettacolari spolverini in seta e abiti in velluto drappeggiato asimmetricamente, con stampe ispirate ai mosaici di San Marco. Il tutto completato da una serie di copricapi che si ispirano ai turbanti, realizzati in collaborazione con il leggendario cappellaio Stephen Jones.

La posizione geografica della Serenissima, un crocevia commerciale tra est e ovest, ha fatto sì che arte e architettura provenienti da entrambe le direzioni si mescolassero. Archi appuntiti, eleganti ogive e poetiche traforature hanno dato vita a uno stile che ha un qualcosa di magico. John Ruskin assegna a Palazzo Ducale e alle raffinate decorazioni delle sue logge il titolo di “l’edificio centrale del mondo”. Le sontuose, intricate foglie ornamentali del Gotico Veneziano si ritrovano anche nei tessuti. Max Mara propone pattern riccamente intessuti con bouquet floreali stilizzati e motivi che richiamano lo zoroastrismo, l’induismo e il concetto filosofico cinese dello Yin e Yang.

Personaggi come Marco Polo lasciavano le donne al comando quando erano impegnati in missioni commerciali che duravano anni: il motivo per cui le donne a Venezia erano più privilegiate e potenti che in qualsiasi altro luogo. La Serenissima è spesso rappresentata come una donna che incarna giustizia, armonia, potere, progresso, lealtà e grazia. Non c’è città migliore per presentare la collezione Resort 2025 se non il luogo in cui il commercio del lusso ebbe inizio: Venetia.
Photos credits : Courtesy of Max Mara

All’evento hanno preso parte celebrities quali Kate Hudson, Brie Larson, Yara Shahidi, Miriam Leone, Nicky Hilton, Tina Craig, Doona Bae e influencers internazionali Leonie Hanne, Caro Daur, Jihoon Kim, Leia Sfez,  Alexandra Pereira, Veronica Ferraro, Candela Pelizza, Tamu McPherson, Yoyo Cao, Molly Chiang, Viola e Vera Arrivabene.

HAIR: Pier Paolo Lai
MAKE UP: Fulvia Farolfi
MUSIC: Johnny Dynell

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Collezioni Donna

Franco Ferrari – Autunno-Inverno 2024/2025

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Per l’Autunno-Inverno 2024/2025, Franco Ferrari presenta una collezione ispirata alle ricche culture orientali.

Realizzata con pregiati tessuti come velluto, seta, tulle e lana questa stagione intreccia sapientemente colori e motivi dell’arte tipica indiana dando vita ad un armonioso dialogo estetico.

Abiti, vestaglie e pigiama palazzo diventano una tela bianca per l’illustratrice Silvia Tassone, che, con i suoi disegni tutti realizzati a mano, arricchisce i capi con motivi floreali di giacinti, narcisi e fresie, fiori che sbocciano d’inverno e che anche nelle peggiori condizioni riescono a regalarci sfumature meravigliose.

Giacche, camicie e gonne adornate con simboli tradizionali presentano mosaici raffiguranti tigri o stampe animalier.

Un tocco di astrologia si fa notare con un omaggio al sole, alla luna e alle stelle che sembrano festeggiare insieme un carnevale celestiale.

Un mondo magnifico e fiabesco quello di Franco Ferrari che si estende anche nella collezione degli accessori, dove altre culture lontane si fondono alla perfezione. Foulard di seta, cappe di lana o cashmere si vestono con stampe di grandi margherite psichedeliche, grifoni e pignatte messicane, persino il gioco del domino come elemento ludico, sempre presente nel dna del brand.

Franco Ferrari è un universo dove tradizione e innovazione si uniscono in armonia, le sue collezioni non sono solo capi d’abbigliamento ma autentici portali magici che conducono chi li indossa in un incantevole viaggio attraverso cultura, bellezza e creatività.

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