Collezioni Donna
Wiederhoeft / SS23 Collection

RUN OF SHOW
We examine childlike joy and naïve creativity. The very human experience of experiencing crushing heartbreak and ecstatic joy simultaneously. The magical wonder of seeing the first inspiration. The temptation of a bad idea. The joy and fragility of the single bright idea.
Look 1 Red Girl. Kelis wears oversized hoodie in red satin with hand-embroidered castle motif. Corset in red parquet silk jacquard, worn with tonal red tulle skirt and gold locket necklace.
Look 2 Pink & Green Girl. Larissa wears cropped corset in pea-green faille with hand-embroidered pink bugle bead bow. Over sized bow-back shirt in green tulle with faille edging. Skirt in fuchsia and green silk jacquard with parquet motif.
Look 3 The Herald. Veronika wears open-backed mini Juno dress with in lollipop red crepe back satin. Thigh-high socks and matching gloves with hand-embroidered red feathers, sequin, and crystal parquet moitf. Robin hood headpiece and feather in red tulle-wrapped wire.
Look 4 The Gate. Malik wears long severe-fit dress, fully hand embroidered with gunmetal and gold metal bugle beads, and fringed ball chain, in “castle gate” woven parquet motif. Snood and thong in fully hand-embroidered gold metal bugle beads, with gold cherub and pearl rings.
Look 5 The Princess. Coral wears wasp corset and princess skirt in fuchsia recycled satin. Harness in polished silver chain with fuchsia crystals, and hand-embroidered tulle cape with chain motif.
Look 6 The Bishop. Amira wears long hooded robe in black metallic moiré with heavy gold chain closure. Sleeveless column mini dress, gloves and hood in fully hand-embroidered gold bugle beads.
Look 7 The Knight. Aquaria wears codpiece dress with fully hand-embroidered “suit of armor” motifs – with mauve metallic bugle beads, fuchsia crystals, mirrored stones, and shades of cut beads. Fingerless gloves in black tulle, and long chain belt in silver pewter.
Look 8 The Horsegirl. Somalia wears gold chainmail dress with godet tulle skirt in shades of crimson, fuchsia, yellow plum, pea green, violet, and persimmon. Thong in gold hand-embroidered sequins and cut beads, with gold chain bracelet and earrings.
Look 9 The Prince. Carmen wears corset in orange tulle with satin details. Macramé skirt in orange silk charmeuse, woven with gold ball chain and adorned with silk moiré ribbons. Fingerless gloves in orange tulle, worn with “framed” necklace, earrings and bracelet with topaz-colored crystals in gold settings.
Look 10 The Sorceress. Rima wears purple metallic moiré hoodie with black ostrich feather lining. Purple metallic moiré sleeveless column dress with jet crystal fringe diamond embroidery, and matching cropped riding jacket. Fingerless gloves in purple tulle, with silver fingertip jewelry, and snood in black glass bugle beads.
Look 11 The Witch. Ivy wears tulle cutout bodysuit, fully hand-embroidered with 200 black baroque freshwater pearls, each adorned with a silk moiré ribbon bow. Thong in black satin with hand-embroidered iridescent cut beads. Trailing ribbon cloak in pearlescent ghost organza, with matching baroque pearl ring and earrings.
Look 12 The Plague. Michael wears green metallic dress, hand-embroidered with black heron in iridescent cut beads and feathers. Neck corset in black metallic moiré and black fingerless gloves in sequin-embroidered tulle.
Look 13 The Treasure Chest. Fernando wears treasure chest coat, in fully hand-embroidered satin with oversized jewelry motifs, and bright green marabou feather lining. Fuchsia bow mini top and skirt with flounced tulle sprays. Matching gloves in bright green marabou, with gems coin purse.
Look 14 The Rose Garden. Nora wears dropped-waist fancy dress with bodice in hand-embroidered black sequins and beads, and skirt in black metallic moiré. Corset in purple metallic moiré, and coat in green metallic moiré, with swagged sequin veil and black moiré rose appliqués. Horned headpiece in black tulle with wrapped wire architecture. Rose bouquet in recycled satin with hand embroidered beads and crystals.
Look 15 The Dungeon. Teddy wears wasp corset in black double-faced silk satin, with gunmetal-plated pewter chainmail skirt. Snood in fully hand-embroidered metal bugle beads, with gunmetal and crystal fingertip rings.
Look 16 The Lady in Waiting. Sarah wears dropped-waist fancy dress with bodice in hand-embroidered parquet pattern and skirt in chartreuse double-faced silk satin. Hennin veiled headpiece in fuchsia tulle and wire understructure. Long fingerless gloves in fuchsia tulle, with gold and pearl fingertip rings and gold chain skirt
Look 17 The Wizard. Mido wears sleeveless men’s-fit column dress in black double-faced silk satin, with tulle sprays and silver corsetry grommet and ring details with ribbon ties.
Look 18 The Executioner. Yerim wears mini dress and oversized bow in red recycled satin, with crystal corset motif and hand-embroidered feather and paillette bodice and skirt. Hooded bodysuit and opera mask in fully embroidered black glass bugle beads.
Look 19 Mother. Silvia wears bow mini skirt and top, constructed from hand-embroidered gold bugle bead bows, with sprays of metallic gold silk tulle.
Look 20 The Court Painter. Lucy wears bow-shoulder corset and forked skirt in bright green silk mikado, with wrought iron window inspired embroidery hand-embroidered with green bugle beads, tweed yarns; and sequins, all edged with corsetry lacing. Snood in fuchsia tulle with hand-embroidered bugle bead bow motif.
Look 21 Curtain Call. Bruna wears sleeveless column dress fully-embroidered with Looney-Tunes spotlight embroidery in pointillist-style beading, with rose bouquet in beaded satin. Gloves and opera mask in hand-embroidered net with mirrored plexiglass mosaic.
Look 22 specter 2. Zach wears flounced bubble dress in black silk mikado, with crystal embroidered fingerless gloves.
Look 23 Specter 2. Leslie wears nightgown dress with ribbon ties in black silk chiffon, with crystal embroidered fingerless gloves.
Look 24 specter 3. Zeke wears Edwardian gown in black recycled faille, with crystal embroidered fingerless gloves.
Look 25 specter 4. Tara wears open-backed Juno dress in black crepe back satin, with crystal embroidered fingerless gloves.
Look 26 The Bright Idea. Danielle wears corseted gown with sleeves and skirt in riveted steel wrapped with gold satin, draped with gold ghost organza.
—-
CREDITS
Makeup: Allie Smith with skincare provided by Tula
Hair: Sean Bennett with hair provided by Aqua Extensions
Nails: Holly Falcone
Movement Direction: Austin Goodwin
Production and Scenery: Eyesight Group
Shoes: Syro
Public Relations: Lindsey Media
Models: Kelis Robinson, Larissa Leung, Veronika Villim, Malik Brand, Coral, Amira Pinheiro, Aquaria, Somalia Knight, Carmen Garcia, Rima Naufal, Ivy Stewart, Michael Phillips, Fernando Casablancas, Nora Senkal, Teddy Quinlivan, Sarah Abney, Mido Elghazawi, Yerim, Silvia Ranguelova, Lucy Sanchez, Bruna Ludtke, Leslie Andrea Williams, Tara Langdon, Zeke Lindsay, Zachary Burrows, Danielle Mareka
Generously Sponsored by Nemacolin
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Collezioni Donna
Genny Pre Fall 24/25 Collection – Walking in New York

Published
1 giorno agoon
30 Novembre 2023By
DailyMood.it
Una donna cosmopolita e metropolitana è la nuova ispirazione per la collezione Genny Pre Fall 24-25. Un ideale viaggio nella Big Apple in un’atmosfera internazionale permeata di grande energia. Un racconto che inizia con un appuntamento di lavoro e prosegue tra gallerie d’arte, teatri ed eventi. Una collezione “per le donne e dalla parte delle donne” che riescono a trovare in Genny il look più consono a vivere la città in tutte le sue sfumature.
Silhouette avvolgenti e destrutturate per la parte giorno, più costruite per la sera. Il daywear alterna linee a matita a volumi più morbidi, enfatizzando proporzioni inedite: da capi outwear con colli asimmetrici a giacche trompe-l’oeil dai doppi colli abbinate a pantaloni sartoriali. A completare il look le immancabili camicie Genny che in questa collezione sono caratterizzate da bimateriali declinati in linee ipermoderne. Abiti da giorno che donano un’attitudine cool alla donna Genny che per la sera sceglie invece di indossare abiti femminili e glamour impreziositi da touch ricamati che illuminano la figura.
La scelta di materiali lussuosi e morbidi come panni lavorati, lane bottonate, cady tecnici e strutturati, garze in lana, gessati lurex, jersey con strass, tweed jacquard e denim con paillettes, sete e crepe de chine, chiffon laminati, velluti cangianti enfatizzano le silhouette di collezione.
I colori concentrano in una palette cromatica dai delicati pastelli come il light lavender e il giacinto, il lemongrass e il natural white abbinate a diverse tonalità di grigio – dal grigio perla al più scuto jet black – e ad una acceso rosso lacca.
Completano l’immagine di questa stagione una serie di avvolgenti items in maglieria realizzati con filati in mohair e lane impreziosite da paillettes, reti strass e punti pelliccia. Gli accessori alternano maxi borse da giorno a micro bag personalizzate con le iconiche orchidee e dettagli “X” che da sempre definiscono il brand.
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Collezioni Donna
Chanel – The Cruise 2023/24 Collection Campaign

Published
2 settimane agoon
20 Novembre 2023By
DailyMood.it
A basketball court, a surfboard, long stretches of sand… The CHANEL Cruise 2023/24 collection campaign plunges us into the dreamworld of Los Angeles. After the show at the legendary Paramount Studios, Anna Ewers and Loli-Bahia are directed by the photographic duo Inez & Vinoodh on Venice Beach.
“The Cruise collection campaign combines the two worlds of Los Angeles: the old-world glamour of the Hollywood movies we love and the health-conscious colourful sporty vibe of Venice Beach,” explain the photographers. “Loli and Anna embody both worlds dressed in the high style evening focused looks of Virginie’s collection while on the basketball courts and surf spots along the Venice boardwalk.”
In the pink light of day turning into night, these images are an invitation to travel and dream.
Here, different worlds come together. Like a vibrant echo of disco’s golden age, a lamé top is worn under the emblematic two-tone cardigan. The shimmer of a jacket swathed in gold sequins and hemmed in pink responds to the shine of leather trousers and a little black satin dress studded with stars. A jacket in iridescent pale yellow tweed sits above a long skirt in pink and white stripes, while mini shorts and a bustier in pastel tweed are revealed beneath a large coat falling nonchalantly off the shoulders. Paying tribute to the Californian lifestyle, a board and basketball signed with the double C recall the sporty attitude that traverses the collection.
Like a portrait of the City of Angels, this series of images is glamorous, fun, sensual… and nothing short of captivating.
The CHANEL Cruise 2023/24 collection will be available in boutiques from November 2023.
Photo Credit: Copyright Inez and Vinoodh – CHANEL
#CHANELCruise
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Collezioni Donna
Bridging Fashion and Humanity with their SS24 Film ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ at South African Fashion Week

Published
1 mese agoon
25 Ottobre 2023By
DailyMood.it
VIVIERS, the South African fashion house, unveils their concept-driven fashion experience at South African Fashion Week (SAFW).
With the debut of their SS24 fashion film ‘Re-Trace, Re-Memory, Re-Set, Re-Culture,’ VIVIERS highlights their unwavering commitment to the South African fashion landscape and their larger vision of fostering a homegrown African fashion community and clothing industry.
Having emerged on the SAFW scene through the Fashion Bridges Program in April 2023, VIVIERS returns to SAFW, reinforcing their dedication to the local fashion industry and their aspiration to create a thriving African fashion community. This is not merely a showcase of garments; it’s a statement of purpose.
“Through a collective and creative hybrid space called ‘Hub-of-The-Hand,’ VIVIERS collaborate with numerous South African Artisans, using South African raw material like Cape Wools, South African Mohair, Ostrich products, Gold and Diamonds and South African Leather, with the idea to further promote the South African clothing, textile and luxury Industry, as well as preserve South Africa’s heritage of craftsmanship. Through visualisation and co-emergence, we aim to contribute and to establish South Africa as an Eco-Hub or destination for Supreme Craftsmanship in Luxury manufacturing; a country that leads with its slow and Conscious approach. Showcasing our collection not only on a global platform such as Milan but also within SAFW in Johannesburg is a pivotal element of our commitment to this initiative ” said Lezanne Viviers, the creative director and founder of VIVIERS.
“This also give me a unique opportunity to edit and change the styling of my collections to respond to future of these two different platforms, as every iteration opens up the collection to a different audience.”
Indeed, VIVIERS recently presented their artisanal capsule collection SS24 ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ as part of the official Milan Fashion Week, marking their second live event in a year, following their digital debut in September 2022.
The SS24 fashion film, ‘Re-Trace, Re-Memory, Re-Set, Re-Culture,’ serves as a unique canvas, offering a glimpse into the soul of VIVIERS’ SS24 collection. It’s not just a film; it’s a conceptual statement.
‘Re-Trace, Re-Memory, Re-Set, Re-Culture ’- VIVIERS ’SS24 Fashion Film: A connection to our origin
Conceptualized by Lezanne Viviers and brought to life by her long-time friend and photographer, Eva Losada, ‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ is more than a fashion film; it’s an investigation into our collective history and shared Origin Stories.
Exploring universal myths, legends, archaeological discoveries, astrology, visionary philosophy, and spiritual truths, the film is a patchwork of human experiences. From the Crystal Skulls to the Phoenix, from Plato’s ‘Allegory of the Cave’ to Baba Credo Mutwa’s thoughts on ancient Gold astronauts, VIVIERS contemplates the potential for transformation and cultural redefinition.
The stories in the film transcend borders, cultures, and religions, acting as bridges between our quest for truth and the interplay between the physical and metaphysical realms. The film embodies a vision of art and clothing as conduits for unity, connecting our shared history with our vision of a harmonious future.
Lezanne Viviers sums it up beautifully, saying, “All-is-One. The idea of co-existence, co-emergence, symbiosis, and our shared Earthly Re-Birth: Unity in Individuality, rather than separation.”
Indeed, VIVIERS chose to hold the release and premiere their fashion film at SAFW, as the audience has a very clear insight and understanding of the sacred African sites chosen as the location. It felt right to premiere it to a local audience and the local team that created it, before it gets broadcasted internationally, because of its cultural significance. The stage design of SAFW and technical screens also lend itself to screen the film, with a full captivating audience.
The film, directed by Eva Al Desnudo, offers a poetic, atmospheric, and surreal journey through fragmented narratives. It creates a visual and emotional experience, and Eva’s unique style is also evident in campaigns she has shot for VIVIERS.
The film was shot at two sacred sites – The Cradle of Humankind and Waterval Boven in South Africa. These sites were chosen for their cultural and spiritual significance in our shared origin stories.
The Origin Center in Maropeng, The Cradle of Humankind, is one of South Africa’s nine World Heritage sites, housing archaeological treasures like Mrs. Ples, Little Foot, and Homo Naledi. Waterval Boven is the epicenter of South African Stone Circles and home to remarkable sites like Adam’s Calendar, aligning with the stars and Sacred Geometrical patterns.
Alessandro Gigli, with his cinematic soundscape, draws inspiration from the resonance of rocks and ancient instruments. This soundscape transforms time into crystalline sounds and ancient memories into present-day experiences, creating an auditory journey into our past, present, and future.
‘Re-Trace, Re-Memory, Re-Set, Re-Culture ’- VIVIERS ’SS24 Fashion Collection: The Unity of Past and Future
The collection conveys the ‘idea of unity in individuality,’ through VIVIERS’s inclusion of a very diverse cast, but also by the continues collaboration with many South African artisans and the continues use and inclusion of South African raw materials in the making of 100% South African made garments. This theme of unity in creation and collaboration is the core message of the film and the collection.
VIVIERS’ SS24 Runway show at SAFW is a fusion of their artisanal collection showcased in Milan and their first ever ready-to-wear line. This collection is about more than fashion; it’s about accessibility and sustainability.
Collaborations with Crystal Birch, Europa Art, and Cape Cobra reflect a commitment to responsible South African fibers and materials like Ostrich leather, Merino Wool, and Mohair. These materials create clothing that transcends time and blends beautifully, promoting responsible luxury raw materials from South Africa worldwide.
Crystal Birch’s hats are created in the same collaborative spirit and approach to working with local craftsmen championing local production for global locations. Preserving the art of millinery; while simultaneously re-introducing us to the inherent power that only the hat can hold for completing a look, Birch’s power lies in her rare ability to elevate hat-making as effortlessly contemporary.
Cape Cobra Leather goods are a third-generation, South African-family run business, with a long legacy of manufacturing bags for luxury fashion houses around the world, using exceptional local artisans, gives Cape Cobra Leathercraft’s pieces their elegance and depth as heirloom investment pieces, investing in the heritage of the past, combined with meticulous moments spent in the present.
The overall runway aesthetic was slightly reimagined through the styling with more traditional styling, by including these heritage items that convey a message of a old-world heirloom house. The versatility in styling from Milan to South African, reiterates the message that VIVIERS items are long-term investments pieces, made with an approach of uncompromised quality.
The collection’s palette and textures draw inspiration from the James Webb telescope’s images of galaxies, planets, and stars, contrasting with earthly elements like rocks, fossils, and crystals. The result is a collection that feels otherworldly, capturing the essence of our shared history and the limitless potential for change.
A Unified Vision
‘Re-Trace, Re-Memory, Re-Set, Re-Culture’ is more than a fashion collection; it’s a journey through space-time and an exploration of unity. VIVIERS’ SS24 collection seeks to transcend traditional boundaries and celebrate the duality within each of us, reflecting a vision of harmony and inclusion.
The film and collection are an ode to the power of clothing as art, a bridge connecting our past to the positive change we aspire to in the future.
VIVIERS’ long-term partnership with Krone MCC underscores their dedication to celebrating excellence in craftsmanship and sustainable business practices, solidifying their position as a leader in the South African fashion landscape.
VIVIERS CAMPAIGN CREDITS
Spring/Summer 2024
Photography: @eva.al.desnudo
Styling, Creative- and Art Direction: @lezanneviviers and @eva.al.desnudo
Styling Assistant: @chiara__galvani
Clothing: VIVIERS STUDIO
Jewellery: Signature VIVIERS jewellery, mixed with Lezanne Viviers xx James Barry
Slabbert sculpted pieces. @jamesbarryslabbert
Model Agencies: @myfriendned @boss
Models: @okmordecai, @Bethany.dewaal @macs_kmcd
Hair: @saadique
Make-Up: @alexandra_julliet_mua
Production: @Kirstyswiss
Production assistants: @anelka_poultney_ @thando.nyweba
Videography: @thulanisejo @kaykayribane
Lighting Assistant: @Odd_ic
Drone ops: @Dzagzin_productions
Location: Maropeng Sterkfontein Caves and Watervalboven Stone Circles
@maropengsa
Artisans:
@Wraptknitwear @stephanie.bentum.textiles @nutcase_acts @bunnycorp
Sponsors and Support:
@capewools @mohairsouthafrica
-Samil, African Expressions yarn: @samil_natural_fibres
-KRONE: @kronecapclassique
-maropeng,sterkfontein: @maropengsa
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VIVIERS FASHION FILM CREDITS
Spring/Summer 2024
Concept: @lezanneviviers
Direction: @eva.al.desnudo
Videographers: @thulanisejo @kaykayribane
Lighting Assistant: @odd_ic
Drone ops: @dzagzin_productions
Editor / postproduction: @thulanisejo @kaykayribane
Colourist: @cebomtshemla
Clothing: VIVIERS STUDIO
Jewellery: Signature VIVIERS jewellery, mixed with Lezanne Viviers xx James Barry Slabbert
sculpted pieces. @jamesbarryslabbert
Models: @okmordecai, @Bethany.dewaal @macs_kmcd
Model Agencies: @myfriendned @boss
Hair: @saadique
Make-Up: @alexandra_julliet_mua
Production: @kirstyswiss
Production Assistants: @chiara__galvani @anelka_poultney_ @thando.nyweba
Original Music for VIVIERS: @gigli_alessandro
Location: Maropeng Sterkfontein Caves and Watervalboven Stone Circles @maropengsa
Artisans:
@Wraptknitwear @stephanie.bentum.textiles @nutcase_acts @bunnycorp
Sponsors and Support:
@capewools
@mohairsouthafrica
@kronecapclassique
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