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Chanel Fall-Winter 2019/20 Ready-to-Wear Collection

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Peaks as far as the eye can see, a street and snow-topped chalets. This season, the Grand Palais is transformed into a peaceful mountain village to welcome the CHANEL Fall-Winter 2019/20 Ready-to-Wear collection. A metamorphosis imagined by Karl Lagerfeld and Virginie Viard, in the atmosphere of a beautiful winter’s day, in the grand nave, a place so dear to the House.

Wearing brogans enhanced with a platform sole, protected beneath tweed fedoras, the elegant mountain dwellers seize the spirit of romantic dandies as they walk through the powdery snow. Created by Karl Lagerfeld and Virginie Viard, the silhouettes of the collection are warmed by a wardrobe marked with masculine/feminine accents, a major stamp of the Chanel style.
A palette of winter white, beige, black and navy blue is punctuated with flashes of purple, fuchsia, brick and emerald green.

With houndstooth, tartan and big check motifs, a dusting of snowflakes, in chevrons or imitating astrakhan, top stitched and quilted, tweed displays its masculinity on suits with wide-cut trousers worn high at the waist, coupled with great overcoats. Fastened with a high collar or a shawl collar and mini cape, enhanced with a trompe-l’œil bolero or a faux fur lapel, sometimes embellished with martingales, straight or double-breasted, trapeze or belted, maxi pockets slit or buttoned and folded down, the coats are different every time. The tweed jackets are trimmed with a thick wool braid, woven or left almost raw. Others reveal a flared collar and a trompe-l’œil bolero. The big soft knit pullovers alternate with sweaters embroidered with crystals and cardigans with mountain motifs. Ski outfits are mixed with urban wear: a down jacket is sported with wide-cut trousers in big check tweed, while a zip-up ski-suit comes in tri-colour tweed. Braided or adorned with a patch pocket to slip in a ski-pass, little tweed jackets are combined with a pencil skirt, and an outfit of over- jacket and wide-cut trousers in leather.

Knitted scarves in embroidered chiffon worn against bare skin, big blouses with jabots, sautoir necklaces of chains and glass beads, plastron necklaces and white pearl earrings … there’s a great softness about the collection. The desire for sophisticated comfort emanates from the silhouettes. A very feminine delicacy escapes from these maxi enveloping volumes. It flows over second skin tops, skirts and dresses in white chiffon printed with mini skiers and CC chairlifts, with scalloped collars and flounces that float to the rhythm of the body’s movements. Romanticism abounds with the great capes in wool, the dresses with Claudine collars and tiers of rounded panels, the skirts in snowy guipure lace and the white tuxedos in duchess satin. Finally, the “snow-ball” skirts and dresses in chiffon and feathers with the bust embroidered with snowflakes in white and gold vinyl, distil the modernity, youth and dash of humour that characterise the CHANEL woman.

The bags match the tones of a season in the mountains: in black or white smooth quilted leather, supple in quilted tweed with a double C clasp interlaced with leather, a flap in faux fur or a camera case in braided shearling. Removable purses are attached to small bags with shoulder straps. Hip bags in faux fur or leather embroidered with glossy camellias alternate with gondola lift minaudières in rhinestoned resin. The emblematic bags of the House joyfully slalom between the chalet spirit for the CHANEL’s GABRIELLE bag in leather and fluffy checked tweed, a frosted inspiration for the 11.12 embroidered with sequins, and its all schuss energy for the 2.55 in neon orange quilted leather.
Eternal and constantly renewed, identifiable and yet different every time, the allure of CHANEL illuminates winter with its daring and dazzling freshness.

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The CHANEL ambassadors
Penélope Cruz, Kristen Stewart, Ellie Bamber, Anna Mouglalis, Nana Komatsu, Ann Hsu, Alma Jodorowsky, Marine Vacth, Gwei Lun-Mei,Victoria Song, Jennie Kim, Caroline de Maigret and Liu Wen, the actresses Marion Cotillard, Céline Sallette, Virgine Ledoyen and Monica Bellucci, the models Claudia Schiffer and Naomi Campbell, and the American singer Janelle Monae as well as the singers Eddy de Pretto and Sebastien Tellier attended the CHANEL Fall-Winter 2019/20 Ready-to-Wear show this Tuesday March 5th 2019 at the Grand Palais.

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KRATON – Baroqco Fall Winter 2019/20 Couture Collection

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KRATON
Fall Winter 2019/20 Couture Collection
Paris Haute Couture Fashion Week

The collection is inspired by the Javanese Tradition that still remains in the princedom, located in the region of Surakarta in the center of java island in Indonesia. Until now, Pura Mangkunegaran has its own arts and cultures and one among the others is the dance which claims to have the original style created by people of Pura Mangkunagaran themselves. This uniqueness gives the identity in diversity. To create Masterpieces in reflections to the originality in honour to the Mangkunegaran tradition for being unique and giving the symbiosis with a BaroQco touch. For being unique is to be different and to be different you are unique.
I have made pieces with metal ornaments, that is crafted layer after layer in combination with SWAROVKSI ELEMENTS© and semi precious stones. The Semi precious stones are from a variety of countries such as Indonesia and Brazil. The usage of real and genuine material gives the pieces a certain value.
Each masterpiece is well thought over. It is initiated with the concept design, production plan and than production. Ornaments are plated in palladium and or 24K gold. Once the ornaments are ready the following steps are to make the ornaments into the frame work of the masterpiece and than set with SWAROVKSI ELEMENTS©. And for some pieces we will finish it with strings-beads of semi precious stones to make the masterpiece complete.

The first series is more into the Royal Mangkunegaran style, with the touch of us, BaroQco. With The royal colours Green, Yellow/Gold, Black, Dark Blue. This series is plated in the raw colour of ancient gold.
The second series is showing the beauty of the Javanese art tradition by metal works of different flowers and tropical flora and fauna ornaments. In this series the ornaments are plated in the raw colour of ancient silver/palladium. We are using recycled silver for the plating just to be more ECO friendly. The Colours that we use are a variety of colours specifically for winter dark colours like dark blue, siam, etc
In Javanese philosophy, the colors are yellow/gold guards against sleepiness, blue against disease/disaster, black against hunger, green against stress/frustration, white against desire/lust, orange against fear, red against evil and purple against bad thoughts.
The meaning of the Legacy is that in the past at the Exposition Universelle in Paris in 1889, K.G.P.A.A Mangkunagoro V brought the Javanese culture to Paris. The collaboration between the French and the Javanese is made because of the efforts by Mangkunegaran in order to introduce the kingdom into the Western society and to adopt western life style or culture in Java by developments in arts, buildings, military without forgetting Javanese elements as their identity.
BaroQco is embracing the Mangkunegaran to be remembered and that their Legacy thrives on in Paris in the Collection of BaroQco during the Paris fashionweek Haute Couture.

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TRUE LOVE – Madleine Fall Winter 2019/20 Couture Collection

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TRUE LOVE
Fall Winter 2019/20 Couture Collection
Paris Haute Couture Fashion Week

MADLEINE design’s are feminine, yet sleek, affectionate and always a powerful statement for rising beauty of female creation. Using the most precious fabrics, silks, brocade, cloche, organza, taffetas, shantung.

Madleine’s passion for fashion started when she was only 9 years old, making her very first dress. In high school and college she made the dresses for her classmates with the occasion of the graduation balls. At the age of 20, she opened a small atelier and at 21, she held her first fashion show in Budapest, her home town. In 2011, Madleine founded her own fashion brand without being intimidated of the pressure to make her mark and her designs recognizable. She felt motivated by the ‘challenge’ to bring something new to the highly competitive global fashion market. First customers were impressed not only with her creative talent but also her attention to detail and ultimate quality.

Researching the power of TRUE LOVE, Madleine during her spiritual journey, find the holy cave of Mary Magdalene in Saint-Maximin-la-Sainte-Baume, France. This was a life changing event for her. This is what sparked her inspiration to create her first Haute Couture Collection. The miracle of Love and Faith has led to only a path leading to a soul and spiritual development.
Madleine spirit-inspired, ethereal-looking collection leads us through the mysterious female figure of history, through the earthly statues of Mary Magdalene, to the ultimate fulfillment of existence, the unio mystica, the mystical unity. According to the Evangelical teachings, Mary-Magdalene was an equal companion of Jesus, the supreme supporter, and even the number one Apostle.
With her first collection, Madleine honors Mary Magdalene’s accomplished Divine mission, to the Messenger, Apostolic role, to admit her unconditional Love. This is what shines through the finale look of the collection, a gown covered with Diamonds.
Talented designer Aldé Baran created a stunning collection of extraordinary shoes for True Love.

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BLACK SNOW & WHITE STORM – Adeline Ziliox Collection couture fall winter 2019 2020

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BLACK SNOW & WHITE STORM
Collection couture fall winter 2019 2020
Haute Couture Paris Fashion Week

I still can hear the crunch of my steps in the snow. The feeling of silence, standing in front of this frozen sea in the sunset. The purity of this scenery is such a fulfillment. Pure white.
An unforgettable landscape, an inner light in front of such beauty. May others see like I do…
Adeline Ziliox with her second Couture collection breaks the codes of Haute Couture. She proposes some radical urban and contemporary designs. A committed collection which exposes the devastation of our society among the big blue. The designer being very concerned regarding the protection of the animal species and the climate change, proclaims her collections Slow Fashion. In order to avoid waste and overconsumption, Adeline Ziliox uses some remade, recycled materials, or materials from previous collections. Her commitment to fashion being complete, and the Mode being beautiful, as a creator herself, she needs to respect the planets resources and values, that are too much forgotten.
Spectacular embroidered couture pieces made from recycled materials, like icebergs dresses which melt will be a successful bet… A committed collection without any concession.

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