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Chanel Spring-Summer 2018 Haute Couture Collection

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Springtime brings the prettiest of flowers. It’s to a décor composed of a bosquet surrounded by a trellis tunnel swathed in climbing roses, ivy and jasmine, with a fountain at its centre, that Karl Lagerfeld invited his guests to discover the CHANEL Spring-Summer 2018 Haute Couture collection.
   The models crowned with floral hairpieces and tulle veils, are perched on matching booties in tweed, leather or embroidered tulle, with transparent heels. CHANEL’s woman of the season blossoms from beneath layers and layers of silk tulle, chiffon and organza pleated or enriched with botanical embroidery composed of sequins, beads, stones and strass. Feathers caress her shoulders or her ankles, extending the woven tweed and the matte satin. Within this softness, her feminity is expressed through a palette of gentle tones: tender pinks, coral, frosted lemon, mint, grey and pale taupe. Then reaffirmed in more intense colours including black, sparkling silver, ink, fuchsia chlorophyll green and electric blue.

Under the first rays of sunshine, the iconic tweed suit turns pale pink or white. Its straight or slightly trapeze cut jacket is defined with a relaxed collar, a newly revised kimono sleeve, a rounded shoulder and a faintly cambered back. Beneath the chest are two welt pockets, sometimes the braided smile pockets tempt hands to slip inside, with what Karl Lagerfeld calls “the new attitude” brimming with strength and character.
The suit skirts open to reveal block colour satin that contrasts with the softness of woven tweed in shades alternating between powdered hues, pinks, greens, oranges, golden sand and black, and shot with neon thread. The suit is also back as a trompe-l’oeil dress or coat dress, as a long tunic or A-line jacket, accompanied by skirts or French culottes. Each time embroidered braids highlight the structure and stitching of a jacket with its highly technical construction.

Lines are superimposed, combining finesse and volume, in a cascade of floral embroidery, pleats and ethereal flounces. Strapless minidresses embellished entirely in sequins are veiled in a tulle embroidered with delicate little plumetis flowers; others come with a high-necked plastron sewn with jewelled braid, or as a long sheath dress overlaid with lace silk tulle ennobled with shards of silver silicon. A cage dress embellished and swollen with curled feathers passes a long dress in duchess satin whose purity is interrupted only by a skirt abounding with tulle.
Embroidered wisteria, bouquets of camellias, pansies, anemones, buttercups, and carnations blossom everywhere, while poppies are printed on the tulle of a ruffled dress and big blousy flowers in watercolour hues are painted over a long skirt that’s light and fluid.

On January 23rd, 2018 at the Grand Palais, the Ambassadors Anna Mouglalis, Caroline de Maigret, Clotilde Hesme, Rinko Kikuchi, Yara Shahidi and Ellie Bamber as well as film director Sofia Coppola and the French actresses Isabelle Huppert, Marion Cotillard and Julia Roy and writer Leila Slimani all attended the presentation of the CHANEL Spring-Summer 2018 Haute Couture collection and the renaissance of spring.

Credits Image: ©Chanel

 

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Chanel – Fall-Winter 2024/25 Ready-To-Wear Collection

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Deauville is where everything started for the House. 1912, the creation of her hat shop and then very quickly the first clothes with their visionary, radical style. It’s where it all began for Gabrielle Chanel. This story is very close to my heart,” confides Virginie Viard. On the racecourse, on the seaside, at the gaming table, in restaurants and palaces, on the “Planches” boardwalk: everything is about elegance and self-staging.

For this collection, we recreated the Deauville boardwalk, she adds. Giant screens on which long, romantic silhouettes stroll in the light from dawn to dusk.” Shrouded in mystery, the models walk along the beach. The 1920s and 70s cross paths and intertwine.

Androgynous and cinematic, the CHANEL Fall-Winter 2024/25 Ready-to-Wear collection imagined by Virginie Viard draws its femininity from Gabrielle Chanel’s own wardrobe and its masculinity from the subtle elegance of winter sojourns by the sea. Broad-shouldered peacoats and long dressing-gown-style belted coats are worn over tweed suits – box-pleated skirts, culottes or cropped trousers –, drop-front trousers or trousers with tabs at the back.


Chunky sailor sweaters and knits featuring the landscapes of Deauville alternate with silk blouses with middy collars, herringbone prints, low-cut tops with flounces, jumpsuits and negligees whose delicacy evokes gentle waves breaking and a soft wind blowing.

The palette takes its vibrant or pastel shades of pink, mauve, orange and pale blue from the ever-changing colours of the Deauville sky, along with brown and gold lamé. 35mm film and cinema tickets: prints refer to the town’s connection with the 7th art, its American Film Festival and Claude Lelouch’s A Man and a Woman, to which Inez and Vinoodh’s film opening the show pays tribute.

The silhouette of David Bowie, the magnetism of film stars walking on the sand, like Anouk Aimée, a great friend of Gabrielle Chanel… this collection pays homage to these familiar figures.”

The iconic bags are omnipresent, as are the pastel-hued wide-brimmed hats, colourful silk scarves, heeled knee-high boots and thigh-high boots in sheepskin, a direct nod to Anouk Aimée’s coat in A Man and a Woman.

It’s a very warm collection, with layers of materials, colours and volumes. It pays tribute to Deauville, the legendary place where Gabrielle Chanel’s destiny changed forever.”

Copyright CHANEL

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Paloma Wool presents their Autumn-Winter 2024 Collection

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The collection follows spontaneous effortlessness with further emphasis on a defined silhouette. From the iconic graphic knitwear to the brand’s elevated streetwear with technical materials; paloma wool’s collection exudes a sense of sophistication and versatility. Velvet pieces imbue femininity and elevate the overall aesthetic with a touch of luxury, while multiposition pieces offer various styling options. The inclusion of silk garments facilitates effortless layering, and argyle-printed knitwear sets a distinctive tone throughout the collection.

The show was led by a performance directed by Carlota Guerrero, in which a group of women carried out an experimental pétanque game, and styled by Emilie Kareh.

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ALEXIS MABILLE FW 2024 – PARIS FASHION WEEK

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Society
1. Long strapless sheath dress in brick-red crepe with a draped décolleté.

2. Billowy shirtdress in blood-red crepe.

3. Long wrap dress in pinky-red crepe with bow-belt.

4. Long wrap dress in red crepe with long slit sleeves, waist with brandenburgs appliqués.

5. Long tailored dress in red silk piqué, waist and shoulders with brandenburgs appliqués.

6. Evening shirtdress in raspberry silk piqué with flounced skirt.

7. Shirt-gown in raspberry silk piqué, with fixed inverted pleats at the waist.

8. Long corolla shirtdress in black radzimir, shoulders inlaid with matching lace, sleeve belt.

9. Trapeze dress in black silk piqué and satin, fastened by ties in the back.

10. Long, twirling sheath dress with asymmetrical scarf neckline crafted from black crepe.

11. Black crepe batwing jumpsuit with brandeburgs belt.

12. Long jacket-dress in navy blue crepe with satin facings and buttons.

13. Long shirtdress crafted from off-white silk faille and inlaid with Lyon lace, satin belt.

14. Shirtdress with batwing sleeves and corolla skirt crafted from champagne silk piqué and satin, matching knotted belt.

15. Long gown in champagne silk piqué, with a matching satin bow-neckline and panel.

16. Grand slip dress in nude radzimir with brandenburgs appliqués.

17. Long asymmetrical dress crafted from flesh-colored jersey satin, with front-and-back satin panels and a split shirt sleeve.

18. Long shirtdress in blush-colored crepe with split cape-sleeves, matching satin belt.

19. Long square shirtdress in peach-colored crepe with stitched satin collar.

20. Long corolla boat neck dress crafted from pale pink silk piqué, with satin kimono belt.

21. Long bustier dress in pale pink silk piqué, with a crepe scarf hold by brandenburgs.

CREDITS
Photo
Marcel Nestler

Hair & Make-up
Beautick

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